Recent publications:

• Decentralized Music: Exploring Blockchain for Artistic Research, book co-edited with Paulo de Assis
  (CRC Press/Taylor & Francis, 14 August 2024)

• Subtraction - a posthumanist musical assemblage on fx(hash) (5 August 2024)

• On the Creativity of Generative Artificial Intelligence,
  issued by the Minister of Education and Sciences of the Republic of Poland (November 2023)

• Łukawski, A., 2023. Fractal of Periodic Spacetime Sequences as a Framework for an Interoperable Metaverse.
  In: Zreik, K., Veyrat, M., Quiniou, M., eds., Computer & Media Art at the Age of Metaverses and NFT. Europia Productions, pp. 57-74.

• Paulo de Assis, Paolo Giudici, Adam Łukawski, Music NFTs: Blockchain for Artistic Research?, Research Catalogue (2022)

Recent events/lecturing/panels:

• Co-convener (with Martin Zeilinger), Conference Decentralised Creativity and Agential Systems in Music (November 17-18, 2025, Orpheus Institute, Ghent, Belgium)
  

• Lecture Performative Transactions: Composing Agential Systems in Music
  (Erasmus+ Staff Training on Artistic Research and PhD Programs, May 22–23, 2025, Orpheus Institute, Ghent, Belgium)

• Lecture On a Strategic Approach to Artificial Intelligence in Music
  (10 March 2025, ArtEZ University of the Arts, Arnhem, The Netherlands - online)

• Guest teacher (15 hours) at Iceland University of the Arts, teaching AI, blockchain and generative art in music
  (Reykjavík, Iceland University of the Arts, Iceland, February 2025)

• Lecturer and Panelist at In the Making 8: Musical Networks and Algorithmic Emergence in the Times of Artificial Intelligence, a research event with guests Martin Zeilinger and Sonja de Jager
  (West Den Haag, The Netherlands, December 2024)

• Participant at the Musica Ex Machina Symposium
  (EPFL Pavillions, École polytechnique fédérale de Lausanne, Switzerland, September 2024)

• Academic respondent at the annual Doctoral Joint Session
  (Academy of Creative and Performing Arts, Leiden University, March 2024)

• Guest teacher (8 hours) at the Creative Performance Labs
  (Conservatorium van Amsterdam, February 2024)

• Co-organiser (with Paulo de Assis) of the academic focus session
  “Music, AI and Blockchain: Decentralised Creativity and Posthuman Agency”, 2-day event
  (Orpheus Institute, Ghent, Belgium, December 2023)

• Teacher of a Master's Elective Posthuman Creativity Labs: AI and blockchain in music
  (Guest lecturer for Arnold Marinissen's master's elective Technological Strategies in Performing and Composing, Conservatorium van Amsterdam, 2023-2024)

• Presenter at the 7th Computer Art Congress: Computer & Media Art at the Age of Metaverse and NFT
  (Geneva University of Art and Design, Geneva, Switzerland, September 2022)

• Keynote speaker at Dance and the Blockchain. Commodification and ownership of embodied creativity in the crypto space.
  (University of Gent, Belgium, August 2022).

• Co-organiser (with Paulo de Assis) Music NFTs: blockchain for artistic research, 2-day online seminar
  (Orpheus Institute, Gent, Belgium, May 2022)

• Presenter at New Mimesis: simulation, models, metaphors and data in music
  (Canterbury Christ Church University, Canterbury, United Kingdom, January 2022)

Recent concerts:

• Final PhD Concert, with a performance by Ensemble Modelo62, midi-controlled instruments from Logos Foundation and an exhibition of generative music NFTs (November 20th 2025, Amare, Den Haag)

• Ani(mate) for piano and strings, composition commissioned by Festival Chamber Music at Lundsgaard (World premiere: August 7th 2025, Chamber Music at Lundsgaard, Kerteminde, Denmark) Performers: the members of Trio Con Brio Copenhagen, Marmen Quartet, Enrico Pace, Hélène Clément, Michael Germer, Andrej Bielow, and Jonathan Swensen

• Ani(mate) for piano and strings, composition commissioned by Festival Chamber Music at Lundsgaard (August 12th 2025, Mogens Dahl Concert Hall, Copenhagen) Performers: the members of Trio Con Brio Copenhagen, Marmen Quartet, Enrico Pace, Hélène Clément, Michael Germer, Andrej Bielow, and Jonathan Swensen